". . . it's not hard to make mental comparisons of other artists of the same genre -- Dr. John and Randy Newman, for instance. There's that piano, the witty turns of phrase, the classy arrangements and a love of humanity and the quirky and fun sides of life. Conn is definitely his own man and is unique when it comes to singing about specific places, particularly those of his native Louisiana."
(Read more)

- Andrew Griffin
The Town Talk (August 2005)

"Steve's lyrical sensibilities are southern to the core and seem to owe as much to Faulkner and Flannery O' Connor as to Randy Newman and Lowell George. In his song Down on Rigolette he shows he is the master of the telling detail--'Daddy leaned his shovel on a tombstone, took Billy by the hand and disappeared.'"
(Read more)

- H. W. Phillips
Cenla Focus (Fall 2005)

"Nearly all of these 12 original songs would fit snugly into a radio playlist or record collection built around the likes of such accessibly funky artists as {Bonnie} Raitt or Boz Scaggs . . . Such honest and deeply rooted music is becoming relatively marginal to the mainstream nowadays, which makes a treasure like Conn that much more delightful to discover."
(Read more)

- Derk Richardson
Yoga Journal (December 2003)

"This is a smart, mature album that's tastefully produced; if Conn could land an opening touring slot for someone like James Taylor or Natalie Merchant, he'd earn an instant, sizeable fanbase."
(Read more)

- Scott Jordan
Gambit Weekly (June 24, 2003)

"In this self-titled collection, he lets his own Louisiana pop, soul, and funk style shine on 11 tunes that infuse intriguing stories and characters with a depth of melody and musicianship that makes clear why Conn is in such demand."
(Read more)

- Kerry Dexter
Dirty Linen (February/March 2004)

"In a world of pretenders, virtuosity is a pleasure. When it will bare its very soul, that's a treasure . . . The artist is one of Nashville's jewels, and favorite pianist and organist of many a famous act. But he's also a great songwriter and entertaining front man, and has many fans here and beyond."
(Read more)

- Frank Goodman
Puremusic (2003)

"Few sidemen have blossomed into solo artistry as fully as Nashville stalwart Steve Conn on this self-titled release."
(Read more)

- Robert L. Doerschuk
All Music Guide (June 18, 2003)

"The self-titled Steve Conn contains heart-on-sleeve candor, strident Louisiana beats and magnificent singing."
(Read more)

- Craig Havighurst
The Tennessean (August 16, 2003)

"Steve Conn's self-titled album is a bluesy, soulful, mature offering . . . He's equally at home on the gospel-influenced 'Comfort Me,' the James Taylor-style singer/songwriter number 'Polishing Chrome,' and funky tracks such as the Cajun-tinged 'If I Were King' and the dark story-song 'Down On Rigolette,' Conn's most striking and memorable lyric."
(Read more)

- Chip O' Brien
Blues Revue (December/January 2004)

". . . Conn is a storyteller in the deepest Southern tradition . . . All of Conn's songs are well-crafted, intelligent and derived from a maturity and artistry that few writers attain . . . What makes Steve Conn a great listen is the intelligence, power and sly humor of his writing. It's a great CD illustrating Conn's authenticity and depth of talent."
(Read more)

- William Thames III
Shake! Magazine (Spring 2004)

". . . Steve Conn has his self-titled dazzler of an album out . . . And he seriously has one of the finest voices in town."

- Craig Havighurst
The Tennessean (January 5, 2004)

"The songs on Steve Conn, his third solo album, all seem drawn from deep, still waters, even those whose lyrics project indignation ('If I Were King') or impart dark irony ('I've Got Your Dog')."
(Read more)

- Robert L. Doerschuk
Keyboard Magazine (October 2003)

"Conn's deeply textured bayou soul piano and detail-rich, irony-flavored lyricism make this CD a rare gem."
(Read more)

- David Kirby
Boulder Weekly (September 25, 2003)

"Steve Conn cleverly performs twelve magic tasteful songs giving always the best of himself with a very satisfactory result. Gifted with a deep fat voice full of nuances, Steve brings us a series of complete different passionate songs that keep on forward the line, expression and spirit of blues mixed with some other musical influences. Conn dresses his music with the best clothes and all the musicians who back him show a complete understanding with Steve's demands. You will find all song lyrics on CD inner notes so those of you who like poetry will certainly enjoy them. In short, a well built CD with an extreme sensitivity. GREAT."

- Dusty Blues (June 2005)

"A tremendous organist, pianist and accordion soloist . . ."
(Read more)

- Ron Wynn
The City Paper (August 15, 2003)

{Steve Conn was chosen as one of the Top 20 albums of 2003} "Unapologetically idealistic lyrics are married to seductive Louisiana grooves on this best-yet album by an unearthed Nashville treasure. 'Eliana' is one of the loveliest songs of the year."

- Craig Havighurst
The Tennessean (December 29, 2003)

"Steve Conn may not make its namesake as big a star as those who have benefited from his talents. Nevertheless, it's comforting assurance that authenticity and tradition still have a place in today's musical mainstream."
(Read more)

- Lee Zimmerman
South Florida's Entertainment News and Views (July 25, 2003)

"Steve Conn is a treasure . . ."

- Allison Moorer
No Depression (July/August 2004)

". . . criminally under-appreciated . . ."

- Thom Jurek
All Music Guide (March 2003)

"You'll be amazed that a voice this original and deep has been in the shadows for so many years."

- The Tennessean (September 1, 2001)

"Without question, he's one of the best singers ever to amble into Music City . . . His songwriting is, I believe, on a par with Allen Toussaint, Carole King or Townes Van Zandt."

- Music Row Magazine (June 8, 1998)

". . . a solo artist of immense talent."

- Todd Dawson
Easton Express-Times (September 6, 1996)

"He has a well-crafted, radio-ready sound."

- The Austin Chronicle (March 11, 1994)

"A bit like Mose Allison melded with a New Orleans rhythmic sensibility."

- Los Angeles Times (June 25, 1990)

"Conn is a marvelous, accomplished vocalist."

- Houston Chronicle (June 18, 1990)

"Charmingly eclectic."

- The Nashville Scene

"Conn will kidnap you to a midnight mass on the Mississippi Delta."

- Rolling Stone, Germany